Christopher Sebela

writer, wronger, rearranger

David Chase on The Finale

“I ask, then, why he chose to present the final scene in the way he did, and his mood shifts abruptly. Any frustration at how he’s been depicted in the media, and by fans of the show he slaved over for seven seasons, vanishes. He is suddenly much quieter, much more uncertain.

“It just seemed right,” he suggests. “You go on instinct. I don’t know. As an artist, are you supposed to know every reason for every brush stroke? Do you have to know the reason behind every little tiny thing? It’s not a science; it’s an art. It comes from your emotions, from your unconscious, from your subconscious. I try not to argue with it too much. I mean, I do: I have a huge editor in my head who’s always making me miserable. But sometimes, I try to let my unconscious act out. So why did I do it that way? I thought everyone would feel it. That even if they couldn’t say what it meant, that they would feel it.”

—“The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever.” Alan Sepinwall

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